.

And by a prudent flight and cunning save A life which valour could not, from the grave. A better buckler I can soon regain, But who can get another life again? Archilochus

Monday, August 1, 2022

The Cultural 'Trans' Obsession

Seeking Identity through "Images/Appearance" (last part of video, above)

If la Ciccolina can now be elected to the Italian parliament, this is precisely because the transsexual and the trans-political have combined with the same ironic indifference. This performance, unthinkable just a few short years ago, testifies to the fact that it is not just sexual culture, but the whole of political culture that has now come beneath the banner of transvestitism.
 
This strategy for exercising the body by means of the signs of sex, for conjuring away desire through the overkill of its staging, is a good deal more efficient than good old repression founded on taboo. But where this new system really differs from the old is that one cannot see at all who stands to gain from it, for everyone suffers from it equally.

The rule of transvestitism has become the very basis of our behavior even in our search for identity and difference. We no longer have time to search for an identity for ourselves in the archives in a memory, in a project, or a future. Instead we are supposed to have an instant memory to which we can plug in directly for immediate access to a kind of public relations identity. What is sought today is not so much health, which is an organic equilibrium, as an ephemeral hygienic and promotional radiance from the body, much more a performance than an ideal state.

In terms of fashion and appearances, what we seek is less beauty or attractiveness than the right "look." Everyone seeks their look. Since it is no longer possible to base any claim on one's own existence, there is nothing for it but to perform an appearing act, without concerning oneself with being, or even with being seen. So it is not, "I exist. I am here." But rather, "I am visible. I am an image. Look, look." This is not even narcissism, merely an extroversion without depth. A sort of self-promoting ingenuousness, whereby everyone becomes the manager of their own appearance.

"The look" is a sort of minimal low definition image, like a video image, or what Mcluhan would call a tactile image. An image which draws neither attention, nor admiration, as fashion still does, but is no more than a special effect with no particular significance. "The look" is no longer a function of fashion, it is a form of fashion that has been overtaken. It no longer even appeals to a logic of distinction. It is no longer founded on an interplay of differences. It plays at difference, without believing in it. It is, in fact, indifference. Being oneself has become a transient performance with no sequel. A disabused mannerism in a world without manners.

The triumph of the transsexual and of transvestitism casts a strange light retrospectively upon the sexual liberation espoused by an earlier generation. It now appears that this liberation, which according to its own discourse, meant the bursting forth of the body's full erotic force, a process especially favorable to the principles of femininity and of sexual pleasure, may actually have been no more than an intermediate phase on the way to the confusion of categories that we have been discussing. The sexual revolution may thus turn out to have been just a stage in the genesis of transsexuality.

What is it issue here fundamentally, is the problematic fate of all revolutions. The cybernetic revolution, in view of the equivalence of brain and computer, places humanity before the crucial question, "Am I a man, or a machine?" The genetic revolution, that is taking place at the moment, raises the question, "Am I a man, or just a potential clone?" The sexual revolution, by liberating all the potentialities of desire, raises another fundamental question, "Am I a man, or a woman?"

If it has done nothing else, psychoanalysis has certainly added its weight to this principle of sexual uncertainty. As for the political and social revolution, the prototype for all others, it will turn out to have led man by an implacable logic, having offered him his own freedom, his own free will, to ask himself where his own will lies, what he wants in his heart of hearts, and what he's entitled to expect from himself. To these questions there are no answers. Such as the paradoxical outcome of every revolution.

Revolution opens the door to indeterminacy, anxiety, and confusion. Once the orgy was over, liberation was seen to have left everyone looking for their generic and sexual identity. And with fewer and fewer answers available in view of the traffic, and signs, and the multiplicity of pleasures on offer.

That is how we became transsexuals just as we became trans-politicals. In other words, politically indifferent and undifferentiated beings, androgynous and hermaphroditic. For by this time we had embraced, digested, and rejected the most contradictory ideologies, and were left wearing only their masks. We had become in our own heads and perhaps unbeknownst to ourselves, transvestites of the political realm.

-Jean Baudrillard, "Transsexuality" (excerpt)

Palash Ghosh, "A Star Is Porn: Whatever Became Of Italy’s Cicciolina?
This week's election in Italy has featured a carnival atmosphere – including the rise of a comic named Beppe Grillo, the possible return of the clownish Silvio Berlusconi and the potential for a political stalemate that could be disastrous for the country’s economic recovery.

However, one must wonder … whatever happened to one of the most compelling, bizarre and entertaining Italian politicians of recent years … the former porno actress known as La Cicciolina?

As it turns out, the now 61-year-old Hungarian-born Anna Ilona Staller – who catapulted to dubious fame in the 1980s when she was elected to the Italian Parliament (while still appearing in hard-core pornographic films) -- is alive and well.

In fact, according to reports, just last year, she and her partner, a criminal defense attorney named Luca di Carlo, formed a political organization called the Democrazia, Natura e Amore Partito (Democracy, Nature and Love Party), or DNA. Among other things, DNA seeks to legalize gay marriage, establish a guaranteed minimum wage for youths, guarantee a fair judicial system, take power away from entrenched interests and, oh yes, reopen the brothels.

According to results from Italy’s Interior Ministry, DNA did not appear to have gained any votes in the current election.

During her heyday in the late 1980s and early 1990s, Cicciolina was an international sensation, guaranteeing screaming headlines almost every step of the way.

‘Dying Light 2’: How To Unlock The Grappling Hook

Her wildly improbable tale included such unforgettable incidents as offering to have sex with Saddam Hussein in exchange for a cessation of military hostilities and peace in Iraq and Kuwait (she later made the same offer to Osama bin Laden more than a decade later, but alas, both entreaties were apparently rejected by those gentlemen). She was also notorious for delivering speeches partially nude, not to mention her vast catalogue of soft- and hard-core celluloid endeavors.

During her term in the Italian Chamber of Deputies, she first represented the Partito Radicale (Radical Party) and then Partito dell'Amore (Love Party) for the constituency of Lazio, outside of Rome.

The Radicals, which Cicciolinia joined in 1985 after flirting with the original Green party of Italy, espoused some serious causes, including opposition to nuclear energy and NATO and the support of human rights.

Under the Radicals, she was elected to parliament on the strength of some 20,000 votes. She failed to be re-elected in 1991.

The Love Party, which Cicciolina joined in either 1991 or 1992, had the dubious distinction of having not one, but two, porno starlets, as its founders – Cicciolina and Moanna Pozzi. The party, which was actually run by Ricardo Schicchi, an Italian pornographer and Cicciolina’s manager, advocated for the legalization of brothels and improved sex education in the school system.

In 1992, Pozzi gained about 22,000 votes for a parliamentary seat, but lost. The following year she ran for mayor of Rome and again failed.

After the turn of the century, Cicciolina continued in vain to seek political power, even including an attempt in her native Hungary, but never got anywhere in her efforts.

Her 15 minutes of fame appeared to have expired – until late 2011 when it was revealed that, as a former parliamentarian, the one-time X-rated starlet was qualified to receive an annual pension of some 39,000 euros (about $51,000 in 2011 terms), causing some outrage among the public.

In typical bravado style, she declared, "I earned it and I'm proud of it."

Amidst all the chaos of her public life, Cicciolina also found time to record a number of CDs and marry the American artist Jeff Koons – with whom she had a child named Ludwig Maximillian. Although Koons won custody of the boy after their divorce, Ludwig remains in Italy with his mother.

Italian media reported that Cicciolina recently appeared on a TV show called “Sunday Live” with her son, who is now 20 years old. They discussed the bitter custody battle with Koons.

“Social workers did not allow me to speak to the court in which I wanted to say that I wanted to stay with my mother," the boy told host Barbara D’Urso.

"I have always been proud of my mother."

And, in keeping with the endless soap opera of their lives, Ludwig also denied charges that he was a drug dealer.

No comments: