Slavoj Zizek, "Futures of Freedom"
What have we inherited from the West?
Bernard Herrmann’s clarinet quintet “Souvenirs de voyage” (1967) opens up with the same melodic line that he used a decade earlier in the beginning of the most famous piece (scene d’amour) from his score of Hitchcock’s Vertigo (1958). We are dealing here with a nice case of dislocation, of tearing an element (a melodic line, in this case) out from its context and placing it into a different context in which it is subordinated to a space regulated by different logic. In our case, the same melodic line is first (in Vertigo) the opening moment of a movement that inexorably leads towards a Romantic crescendo, heavily relying on Wagner’s Tristan, while its reprisal in the quintet remains firmly within the pre-Wagnerian space of a theme and its variations. The surprising element here is the regressive direction of this shift: first a Romantic push towards a climactic crescendo, then the step back to a more classical space in which such crescendos are excluded.
Such a notion of dislocation is a key dialectical concept whose proper use enables to dispel some key misunderstandings that haunt Hegel’s notion of Aufhebung (sublation). Let’s take a different case from the sphere of decolonization. Rejecting the idea of the Haitian Revolution as the true consummation of the ideals of French Revolution, Jean Casimir argues in his The Haitians: A Decolonial History that “Haiti dislocates rather than consummates the project of modernity.” Casimir’s critique is directed at all those (me including) who see in the Haitian Revolution the universalization and radicalization of the French Revolution: only through its repetition in Haiti does the French Revolution really become a world-historical event with universal meaning. In this sense, Haitian Revolution is the Aufhebung of the French Revolution: the full actualization of its potentials, its repetition at a higher level. From the standpoint of the predominant postcolonial thought, such a view is all too “Eurocentric”: if the Haitian Revolution is reduced to the deployment of the immanent potentials of the French Revolution, then – to put it in Hegelese – the French Revolution, a European phenomenon, is the over-reaching notion and Haitian Revolution remains a subordinate moment of its self-deployment. Even if Haitians were “more French than the French themselves,” even if they went further and were more consequent than the French, they were part of the European dynamic process.
Dislocation, on the contrary, means that elements are thoroughly re-contextualized, integrated into a new symbolic and social space which confers on them a new meaning unrelated to the original meaning – one can in no way “deduce” this new meaning from the original one. Let’s take equality, a notion which originates in modern European thought. Although many advocates of equality worked to expand this notion also to women, other races, etc., such an expansion remains within the scope of the Western notion of equality. When a true other (Black slaves, exemplarily) appropriates equality, this notion is not just expanded but transposed in a different domain which radically affects its functioning – the unease with Black Lives Matter proves this abundantly. Furthermore, is the entire history of Marxism and Communist revolutions not a history of dislocations? In spite of Lenin’s abundant quotes from Marx, Lenin effectively transposes Marx into a radically different historical situation in which the revolution was executed by a narrow party of professionals and won by addressing non-proletarian issues (land and peace). Mao Zedong did something even more radical: against Marx and Engels vision, he moved from workers to farmers in the countryside as the revolutionary force – something unimaginable for Marx and Engels. Again, in each of these two cases, we are not talking about a continuous expansion but about a radical dislocation – no wonder that in both cases, orthodox Marxists opposed the reorientation (the basic reproach of Mensheviks to Lenin was that, in a non-Marxist way, he wants a revolution before the circumstances for it are ripe).
We should also bear in mind that capitalism as such involves a process of continuous dislocation. Capitalism originated in Europe but then gradually expanded into a global economic order, and this expansion was not continuous, it involved radical dislocations. Not only was capitalism from the very beginning linked to colonization and new rise of slavery, but it also changed with the emergence of strong non-European capitalist countries like Japan, India and now China. Incidentally, it is interesting to note how the same postcolonial Leftists who decry every expansion of equality and democracy as a dislocation and not a continuous development always insist that capitalism is “Eurocentric”, attributed to Europe: even if it appears in China, India, etc., capitalism remains European. The underlying premise is clear: when a progressive idea like equality and democracy is expanded into a Third World, it involves a radical dislocation and is no longer European, but the “bad” capitalism remains a foreign (European) intruder… This mistake is serious because it misses the key fact that capitalism is actually universal, trans-cultural, indifferent towards particular cultures: it is not dislocated from one culture and then appropriated by another, it rather stands for a universal dislocation from cultural space as such.
At this point, we can return to the relationship between the Hegelian sublation and dislocation: the approach which opposes the two (as we have seen with Casimir apropos Haiti) misses a key feature of the Hegelian dialectical process, as it reduces subject to a dynamized Substance. The critics dismiss the Hegelian notion of democracy-and-equality as an all-encompassing substantial entity which gradually actualizes its immanent potentials, passing from one to another particular figure but remaining the same ground of the entire process. Say, the state goes through the stages of Asiatic despotic state, Ancient slave-owning democracy, feudal monarchy, modern authoritarian state, etc., but all of these are particular formations which emerge as the immanent deployment of the same notion of State. But is this the case? If we remain at this abstract level, we have to add at least two points. First, for Hegel, the full consummation of an idea (when reality fits its idea) always implies the self-negation of this idea itself; say, the reality of states never fully fit the idea of state – when this happens, we no longer have a state but we pass into a religious community.
Second and more important, in a dialectical process, predicate always passes into subject: what was at the beginning a subordinate particular moment of the process asserts itself as its subject and retroactively posits its presuppositions as its own moments (“predicates”). So, again, it is not the same Subject which goes from one to another particular figure, remaining the same agent which pulls the strings and controls the entire movement: what Hegel calls “Absolute” is the very process in which radical reversals happen and a predicate turns into a new Subject. Every dialectical passage is thus a form of dislocation: the previous Substance is dislocated into a new encompassing universality. It is not the same Universality which passes from one to another particular form – in each passage, Universality itself is dislocated, it is reduced to a subordinate moment of a new Universality. Let’s take the passage from money to capital described by Marx: in pre-capitalist market exchange, money is a mediator of the exchange between producers which disappears in the final result (when I sell what I produced and buy what I need); with capitalism, however, money becomes capital, the subject (active agent) of the entire process. Although, from my individual standpoint, I produce (and sell) things so that I will get (other) things that I need (or desire) for my life, with capitalism, the true goal of the entire process is the expanded self-reproduction of capital itself – my needs and their satisfaction are just subordinated moments of capital’s self-reproduction. In this sense, social production is radically dislocated, reduced to a subordinate moment of the capital’s reproduction.
Back to Haiti, what further complicates the picture is that the tension between imitating Europe and breaking out of European modernity is inscribed into the very heart of the revolutionary process. Toussaint Louverture, the first leader of free Haiti, insisted on the equality of all races and rejected any privileging of the Blacks, plus, although he formally abolished slavery, he simultaneously imposed obligatory work (plantation workers had to remain at their post so that production went on). The two leaders who came after him, Dessalines and Christophe, enacted the anti-White turn (all non-Blacks, with the exception of Poles who supported the revolution, were massacred), but mandatory work remained. So, for ex-slaves, things didn’t change a lot. During Christophe’s reign, Haiti was divided into two states: Christophe ruled as the emperor of the northern part and Alexandre Petion governed the republic in the southern part. While the North turned into a half-feudal authoritarian imitation of a European modern state focused on boosting production and wealth (concentrated in the hands of the ruling Black elite), in the republic in the South, land was distributed to small farmers who survived in a self-subsistent economy with low productivity. Although some commentators celebrate the South as an attempt to develop new communal forms of life as an alternative to European modernity, the experiment soon failed. A further paradox to be noted here is that the anti-White shift from equality of races to Black domination, which occurred with Dessalines, coincided with the rise of authoritarian class structure with the Emperor at the top, which imitated the worst of European authoritarian modernity.
Similar paradoxes are already discernible in the case of Paraguay: before it was destroyed by the Spanish-Portuguese intervention, Paraguay under the domination of the Jesuit order which organized indigenous tribes into reducciones (missions) was not only an early form of Communism but was also much closer to cultural independence than Argentina or Brasil. Jesuits were already printing books in the Guarani language (which is even today spoken by the majority in Paraguay), so if Jesuits were not thrown out, the history of Latin America would take a different turn, with the aboriginal language becoming one of the official state languages. Throughout modern history, Jesuits were as a rule much more progressive than Franciscans, although (or precisely because) Jesuits were organized as dogmatic fanatics while Franciscans emphasized poverty and spiritual inner life. Even today, Jesuits are the bastion of the Catholic Left while many Franciscans are neo-Fascists. Brecht was right to copy (“dislocate”) Jesuits sacred propaganda theatrical pieces in his Communist “learning plays.”
The point of these remarks is a very simple one: to complicate the standard binary of Eurocentrism versus postcolonial thought. What if the two are inextricably linked? What if European influence is not only an obstacle to decolonization, what if it can help it? When we dream about a postcolonial future, it is crucial that we take into account such paradoxes.
6 comments:
I loved the movie Vertigo and have the CD. I suffer from BPPV (postional vertigo), no fun my friend when that comes around. I had it last week. I freak out every time and call my doctor who thank God reassures me I am ok. LOL :) It used to be worse when I did not know some wax pressed on my eardrum and OMG I was whirrling even whilst sitting. I went to the ER and that time they found out it was it was wax pressing on the ear drum, but I do have tennitus and inner ear issues too. They did give me a physical nuerological exam. I do not wish this on my enemy.
Sorry if off topic but saw the Vertigo vid and went off track! Spinning FJ! LOL :)
Sounds like the song got dislocated along with the subject of this thread? ;)
I have a bit of trouble with my balance, too, but it's not my eardrums. I have neuropathy in my feet from chemo treatments 15 years ago, and if I close my eyes (like when shampooing my hair in the shower), I have to keep an elbow on the shower wall or I'll lose the "up" direction. It's a three sensor problem that if you lose two, all bets are off as to where "up" lies.
After my mother's traumatic brain injury it was discovered that she had inner cochlear damage as well. There are crystals in the cochlea that give you your sense of balance and gravity's direction. When these are knocked loose (such as after the injuries my mother received in a car accident) these crystals are knocked loose thus causing vertigo and gravity is sensed from the wrong direction. You can turn your head slowly all the way to one side and back to the other and recalibrate against most vertigo feelings unless those crystals are inoperably knocked out of place.
Wow sorry to hear that. But thank God you know how to handle it.
Yes, TC, you are correct. Mine is probably due to the tinnitus and also from having ear damage. My ex knocked me around a few times who knows if that affected it too.
Mom passed away a few years ago, lived with her injuries a lot longer that she was supposed to, but not long enough :(
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