[...]These last two examples indicate the fundamental paradox of the ‘passion for the Real’: it culminates in its apparent opposite, in a theatrical spectacle – from the Stalinist show trials to spectacular terrorist acts.2 If, then, the passion for the Real ends up in the pure semblance of the spectacular effect of the Real, then, in an exact inversion, the ‘postmodern’ passion for the semblance ends up in a violent return to the passion for the Real. Take the phenomenon of ‘cutters’ (people, mostly women, who experience an irresistible urge to cut themselves with razors or otherwise hurt themselves); this is strictly parallel to the virtualization of our environment: it represents a desperate strategy to return to the Real of the body. As such, cutting must be contrasted with normal tattooed inscriptions on the body, which guarantee the subject’s inclusion in the (virtual) symbolic order – the problem with cutters, is the opposite one, namely, the assertion of reality itself. Far from being suicidal, far from indicating a desire for self-annihilation, cutting is a radical attempt to (re)gain a hold on reality, or (another aspect of the same phenomenon) to ground the ego firmly in bodily reality, against the unbearable anxiety of perceiving oneself as nonexistent. Cutters usually say that once they see the warm red blood flowing out of the self-inflicted wound, they feel alive again, firmly rooted in reality.3 So although, of course, cutting is a pathological phenomenon, it is none the less a pathological attempt at regaining some kind of normality, at avoiding a total psychotic breakdown.
On today’s market, we find a whole series of products deprived of their malignant properties: coffee without caffeine, cream without fat, beer without alcohol. . . . And the list goes on: what about virtual sex as sex without sex, the Colin Powell doctrine of warfare with no casualties (on our side, of course) as warfare without warfare, the contemporary redefinition of politics as the art of expert administration, that is, as politics without politics, up to today’s tolerant liberal multiculturalism as an experience of the Other deprived of its Otherness (the idealized Other who dances fascinating dances and has an ecologically sound holistic approach to reality, while practices like wife beating remain out of sight . . .)? Virtual Reality simply generalizes this procedure of offering a product deprived of its substance: it provides reality itself deprived of its substance, of the hard resistant kernel of the Real – just as decaffeinated coffee smells and tastes like real coffee without being real coffee, Virtual Reality is experienced as reality without being so. What happens at the end of this process of virtualization, however, is that we begin to experience ‘real reality’ itself as a virtual entity. For the great majority of the public, the World Trade Center explosions were events on the TV screen, and when we watched the oft-repeated shot of frightened people running towards the camera ahead of the giant cloud of dust from the collapsing tower, was not the framing of the shot itself reminiscent of spectacular shots in catastrophic movies, a special effect which outdid all others, since – as Jeremy Bentham knew – reality is the best appearance of itself? [...]
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