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And by a prudent flight and cunning save A life which valour could not, from the grave. A better buckler I can soon regain, But who can get another life again? Archilochus

Friday, July 6, 2018

Alternatives to Capitalism - Models for American Immigration System 2.0

Kafala
from The Guardian
A foreign worker can only come in to the Arab Gulf states through a kafeel (sponsor). However, the essence of the kafala system is the relationship binding employee to the employer, which has often been criticised as "slave-like".

The kafala directly contradicts the labour law. The raison d'être of the law is to bring about a balance, in terms of rights and obligations, between the employer and the employee, but the kafala puts far too much power in the hands of the employer/sponsor. The employer can dictate the recruitment process and working conditions. The paradox is that the kafala is not a law but a tradition that seems to have precedence over the labour law. This is at the root of abuses of workers' rights.

The sponsorship system has become a lucrative business. In its early incarnation in the 1930s, it was in the best tradition of Arab hospitality, but now unscrupulous kafeels exploit the system.

The main issue is that kafala restricts labour mobility. In fact, one could argue that it prohibits any mobility on part of the worker unless approved by the kafeel. If the kafeels are unwilling to let them go, workers cannot leave them for better employment. In fact, workers can even be victims of blackmail by kafeels: if they protest or question their terms of employment, kafeels can have them deported. Being in a precarious situation forces them to accept whatever terms and conditions are given to them.

The kafeel can also shift the financial burden on to the worker. The law says the kafeel is expected to pay for medical insurance and fees for employment and residence permits and the like. Workers, on the other hand, are not supposed to bear any of these expenses. However, kafeels and intermediaries such as recruitment agencies often charge such fees to foreign workers. Indemnities for delays in registration are also often billed to workers. Similarly, some kafeels partially withhold final payments to foreign workers to recover some of the recruitment costs. Also, many kafeels exploit the workers by only leasing their sponsorship against payments. Although kafeels behaving in this way remain a minority, their victims are in the tens of thousands.

The retention of passports and identity documents has, in many instances, led to forced labour situations. Under such conditions migrants can be forced to work in arduous conditions for longer hours than envisaged by the law, without overtime payments. They are often deprived of weekly rests, annual leaves or home leave. Many have even complained of harassment.

The authorities forbid the retention of passports and recognise expat workers' right to complain and recover their passports. However, workers know such a move would be considered as a hostile challenge by employers, which may result in punishments, reduction in wages, non-renewal of contracts, false accusations or ultimately deportation. In extreme cases, kafeels exchange passports for declarations by workers that they have received their dues, especially end-of-service payments and wage arrears.

The kafala is not compatible with modern labour practices and should be abolished.

5 comments:

Franco Aragosta said...

Gogol BORDELLO!

That's gotts be a made-up joke name, right?

Worse than Ima Hogg.

What next?

Irana Hoar-House?

Thersites said...

Eugene Hutz is no "Jethro Tull"... ;)

Thersites said...

btw - Is Ima related to David Hogg?

Franco Aragosta said...

I don't thunk so. Miss Ima, as she was called, was the daughter of a one-time Texas Governor Jim Hogg.

Here's Wikipedia:

"Ima Hogg (July 10, 1882 – August 19, 1975), known as "The First Lady of Texas",[1] was an American society leader, philanthropist, patron and collector of the arts, and one of the most respected women in Texas during the 20th century.[2] Hogg was an avid art collector, and owned works by Picasso, Klee, and Matisse, among others. Hogg donated hundreds of pieces of artwork to Houston's Museum of Fine Arts and served on a committee to plan the Kennedy Center in Washington, D.C.

"An enthusiastic collector of early American antiques, she also served on a committee whose kob was locating historical furniture for the White House. She restored and refurbished several properties, including the Varner plantation and Bayou Bend, which she later donated to Texas arts and historical institutions who maintain the facilities and their collections today.

"Miss Hogg received numerous awards and honors, including the Louise E. du Pont Crowninshield Award from the National Trust for Historic Preservation, the Santa Rita Award from the University of Texas System, and an honorary doctorate in fine arts from Southwestern University.

"Ima Hogg was the daughter of Sarah Ann "Sallie" Stinson and James Stephen "Big Jim" Hogg, later attorney general and governor of the state. Ima Hogg's first name was taken from The Fate of Marvin, an epic poem written by her uncle Thomas Hogg. ... Although it was rumored that Ima Hogg had a sister named "Yura," in truth she had only brothers. Hogg's father left public office in 1895."

Her picture from 1900 shows Miss Ima to have been rather pretty with a beautiful slim hourglass figure –– the feminine ideal of her day.

In all respects she was a lovely ladts, so the arrogant, rksome, conceited little Hogg you mentioned couldn't possibly be related to the beloved Miss Ima –– at least I hope not.

Franco Aragosta said...

And Jethro Tull, Alack and Alas! is no P. G. Wodehouse, Ira Gershwin, Cole Porter, Lorenz Hart, Oscar Hammerstein II, Alan Jay Lerner, Tom Jones (The Fantasticks), or Stephen Sondheim.