The ex-wife of Orlando mass killer Omar Mateen claimed Monday that she believed he was homosexual — as it was revealed that he frequented the gay nightclub where he staged the nation’s worst massacre in modern times.
Sitora Yusufiy, who was married to Mateen in 2009 for three months, made the shocking claim on Brazilian television station SBT Brazil.
Her fiancé, Marco Dias, speaking in Portuguese on her behalf, said Yusufiy believed that Mateen had “gay tendencies” and that his father had called him gay in front of her. Dias also claimed “the FBI asked her not to tell this to the American media.”
The bombshell came as a male former classmate of Omar Mateen said he had been asked out romantically by the mass killer, who reportedly was a virtual regular at the Pulse nightclub, having visited it more than a dozen times over the years.
The former classmate said he would hang out with Mateen, hitting gay bars after attending class at Indian River Community College police academy in 2006 — and one time Mateen asked him out “romantically,” according to the Palm Beach Post.
“We went to a few gay bars with him, and I was not out at the time, so I declined his offer,” the former classmate told the paper.
The classmate told the paper he thought the killer, who pledged allegiance to ISIS before killing 49 at the gay nightclub Pulse, was gay and in the closet.
The classmate’s claims came after reports emerged that Mateen frequented the club for years before Sunday’s massacre.
“It’s the same guy,” Chris Callen, a drag queen who performs under the name Kristina McLaughlin, told the Canadian Press. “He’s been going to this bar for at least three years.”
Callen’s husband, Ty Smith, recalled seeing a drunk Mateen being escorted from the club.
“Sometimes he . . . would get so drunk he was loud and belligerent,” he told the Orlando Sentinel.
At least four Pulse clubgoers remembered seeing Mateen at least a dozen times in the past. But authorities said they had no further information when asked about the sightings on Monday. NBC reported that the FBI was looking into his alleged club visits.
“[He’d get] really, really drunk,” Smith told the Canadian Press. “He couldn’t drink when he was at home — around his wife, or family. His father was really strict . . . He used to bitch about it.”
Callen and Smith said they both stopped speaking to Mateen when he threatened them with a knife, after someone made a joke about religion.
“He ended up pulling a knife,” Callen explained. “He said if he ever messed with him again, you know how it’ll turn out.”
They also shot down claims that Mateen had snapped after seeing two men kissing each other in public.
“That’s bullcrap, right there. No offense. That’s straight-up crap. He’s been around us,” Smith said. “Some of those people did a little more than (kiss) outside the bar … He was partying with the people who supposedly drove him to do this?”
Kevin West, another regular at Pulse, told the Los Angeles Times that Mateen used gay dating apps on a regular basis and even messaged him on a gay dating app, Jack’d.
He even saw Mateen an hour before the shooting.
“He walked directly past me. I said, ‘Hey,’ and he turned and said, ‘Hey,’ ” and nodded his head, recalled West. “I could tell by the eyes [it was him].”
One Orlando man, who refused to be named, told MSNBC that he had seen photos of Mateen on several gay dating apps, including Grindr, Adam4Adam, and Jack’d. He claimed that at least two of the man’s friends had been contacted by Mateen on the apps in the past.
“He was very creepy in his messages, and I blocked him immediately,” the man said.
Philosopher and psychoanalyst Slavoj Zizek is a polarizing figure, in and out of the Academy. He has been accused of misogyny and opportunism, and a Guardian columnist once wondered if he is “the Borat of philosophy.” The latter epithet might be as much a reference to his occasional boorishness as to his Slovenian-accented English. Despite (or because of) these qualities, Zizek has become a fascinating public intellectual, in part because all of his work is shot through with pop culture references as diffuse as the most studied of fanboys. And even though Zizek, a student of the Freudian theorist Jacques Lacan, can get deeply obscure with the best of his peers, his enthusiasm and rapid-fire free-associations mark him as a true fan of everything he surveys.
The Zizek I just described is fully in evidence in the short clip above from the three-part documentary The Pervert’s Guide to Cinema. Directed by Sophie Fiennes (sister of Joseph and Ralph), The Pervert’s Guide places Zizek in original locations and replica sets of several classic films—David Lynch’s Blue Velvet, Stanley Kubrick’s Eyes Wide Shut, and Hitchcock’s Vertigo, to name just a few. Zizek’s scenes of commentary are edited with scenes from the films to give the impression that he is speaking from within the films themselves. It’s a novel approach and works particularly well in the video above, where Zizek gives us his take on Vertigo. As he says of Hitchcock’s film—which could apply to the one he is in as well—“often things begin as a fake, inauthentic, artificial, but you get caught in your own game.” Viewers of The Pervert’s Guide get caught in Zizek’s interpretive game; it’s a fascinating, ridiculous, and unsettling one.
In the clip, through a series of close analyses of plot points and camera angles, Zizek concludes that Vertigo is the realization of a male fantasy, which necessarily involves violence and nightmarish transformations. In the “male libidinal economy,” he says, in the jargon-y psychoanalytic speak of his trade, women must be “mortified” before they are acceptable sexual partners. Slipping out of academic argot, he clarifies: “to paraphrase an old saying, the only good woman is a dead woman.” It’s this kind of blunt and utterly unsentimental way of speaking that raises the hackles of some of Zizek’s critics. But I’m not here to defend him. Watching (and reading) him for me is a game of edge-of-your seat “what outrageous or incomprehensible thing is he going to say next?” and I’ll admit, I enjoy it. So I’ll leave you with a final Zizek-ism. Perhaps it will scare you off for good, or perhaps you’re game for a few more rounds of “perversion” with this encyclopedic critic of the self, the social, and the sexual:
“A subject,” says Zizek, “is a partial something, a face, something we see. Behind it, there is a void, a nothingness. And of course, we spontaneously tend to fill in that nothingness with our fantasies about the wealth of human personality and so on, and so on. To see what is lacking in reality, to see it as that, there you see subjectivity. To confront subjectivity means to confront femininity. Woman is the subject. Masculinity is a fake.”
Lacan's name for what occurs at the end of the cure is traversing the fantasy. But since what the fantasy does, for Lacan, is veil from the subject his/her own implication in and responsibility for how s/he experiences the world, to traverse the fantasy is to reavow subjective responsibility. To traverse the fantasy, Lacan theorizes, is to cease positing that the Other has taken the "lost" object of desire. It is to accept that this object is something posited by oneself as a means to compensate for the experienced trauma of castration. One comes to accept that castration is not an event with a winner (the father) and a loser (the subject), but a structurally necessary factum for human-beings as such, to which all speaking subjects have been subjected. What equally follows is the giving up of the resentful and acquisitive project of trying to reclaim the objet petit a from the Other, and "settling the scores."