And by a prudent flight and cunning save A life which valour could not, from the grave. A better buckler I can soon regain, But who can get another life again? Archilochus

Saturday, September 29, 2012

Unlimited, aka - No Longer Ltd

I'm through accepting limits
'Cuz someone says they're so
Some things I cannot change
But till I try, I'll never know!
Too long I've been afraid of
Losing love I guess I've lost
Well, if that's love
It comes at much too high a cost!
I'd sooner buy
Defying gravity
Kiss me goodbye
I'm defying gravity
And you can't pull me down:
(spoken) Glinda - come with me. Think of what we could
do: together.

(sung) Unlimited
Together we're unlimited
Together we'll be the greatest team
There's ever been
Glinda -
Dreams, the way we planned 'em

If we work in tandem

Sunday, September 23, 2012

Election 2012 - Liberty Dons the Necklace of Harmonia

Legend believes that Harmonia had a necklace that most people and theologians associate with her name This magical necklace was highly coveted amongst women; for it was believed that who ever wore it would have eternal youth and beauty.

Harmonia was born of Aphrodite's adulterous affair with the god Ares. She was awarded to Kadmos, the hero founder of Thebes, in a wedding attended by all the gods. Hephaistos, however, was still furious over his wife's betrayal, and presented Harmonia with a cursed necklace, which doomed her descendants to endless tragedy.
"Mousai (Muses) and Kharites (Charites, Graces), daughters of Zeus, who came once to the wedding of Kadmos (Cadmus)[and Harmonia] and sang the lovely verse, ‘What is beautiful is loved, what is not beautiful is not loved.’ This is the verse that went through your immortal lips."
- Theognis, Fragment 1. 15 (trans. Gerber) (Greek elegiac C6th B.C.) :

Sunday, September 9, 2012

Mislaying Your Objet Petit 'a

On the hierarchy of the Objet Petit 'a
Speaking of the "fall" of the a, Lacan noted that 'the diversity of forms taken by that object of the fall ought to be related to the manner in which the desire of the Other is apprehended by the subject.' The earliest form is 'something that is called the breast...this breast in its function as object, object a cause of desire.'

Next there emerges 'the second form: the anal object. We know it by way of the phenomenology of the gift, the present offered in anxiety.' The third form appears 'at the level of the genital act...[where] Freudian teaching, and the tradition that has maintained it, situates for us the gaping chasm of castration.'

Lacan also identified 'the function of petit a at the level of the scopophilic drive. Its essence is realized in so far as, more than elsewhere, the subject is captive of the function of desire.' The final term relates to 'the petit a source of the superego...the fifth term of the function of petit a, through which will be revealed the gamut of the object in its - pregenital - relation to the demand of the - post-genital - Other.'
The term "phallus" designates the representation of an erect penis, which plays a key role both intra- and inter-subjectively. Freud barely distinguished between the fantasized phallus and the anatomical penis. He called the period between three and five years of age the "phallic stage." At this stage, infants of both sexes are dominated by the question of who possesses a penis and the related issue of its masturbatory jouissance (gratification), which is clitoral in the case of girls. Up to this point, the mother is imagined as having a penis, and the discovery that she lacks a penis, after an initial denial, precipitates the castration complex.

Jacques Lacan chose to use the term "phallus" for the imaginary and symbolic representation of the penis in order to better distinguish the role of the penis in the fantasy life of both sexes from its anatomical role. Freud's famous "symbolic equation" of breast, feces, penis, and baby (1916-1917a [1915-1917], 1918b, 1924d) already implied this distinction between the real penis and its phallic representations.

According to Lacan, the phallus at the outset represents what else the mother desires is in addition to the baby. Thus, a pre-oedipal triangle of mother, phallus, and infant arises. At first the infant tries to be the phallus for the mother until the moment of a crucial transformation when the child, after identifying the phallus as a static image of completeness and sufficiency, sees it as representing the mother's desire, and thus her lack. From then on, the phallus takes the form of something missing (-') within any imaginary, and hence libidinal, frame of reference. Thus the phallus comes to signify desire, Lacan says.

Sunday, September 2, 2012



OH, unhappy stars! your fate I mourn,

Ye by whom the sea-toss'd sailor's lighted,
Who with radiant beams the heav'ns adorn,

But by gods and men are unrequited:
For ye love not,--ne'er have learnt to love!
Ceaselessly in endless dance ye move,
In the spacious sky your charms displaying,

What far travels ye have hasten'd through,
Since, within my loved one's arms delaying,

I've forgotten you and midnight too!
-Goethe (1789)

Saturday, September 1, 2012

The Central Message of Christianity

"Where there is no love, put love, and you will find love"
-St. John of the Cross
Salvador Dali, "Christ of St. John of the Cross" (1951)

as seen by atheist Slavoj Zizek, "Politics of Shame and Shamelessness"
Christianity... an egalitarian community of believers that takes all responsibility for what happens, its' message is NOT "Trust in G_d", but rather, "G_d Trusts us." Jesus died and said, basically, "It's up to you, Holy Spirit, the Community of Believers... I will resurrect, but NOT as a person, but in you and your community.

Are we All Brothers, Yet?

Here, now look at these pictures and masturbate!