.

And by a prudent flight and cunning save A life which valour could not, from the grave. A better buckler I can soon regain, But who can get another life again? Archilochus

Tuesday, March 3, 2015

Supercharged Freedom Fighters

You drink a bitter draught.
I sip the tears your eyes fight to hold
A cup of lees, of henbane steeped in chaff.
Your breast is hot,
Your anger black and cold,
Through evening's rest, you dream
I hear the moans, you die a thousand's death.
When cane straps flog the body
dark and lean, you feel the blow,
I hear it in your breath.
- Maya Angelou, "To A Freedom Fighter"

Monday, March 2, 2015

Dasein and Oppression


h/t - nicrap & source
We shall Witness
It is certain that we too, shall witness
the day that has been promised
of which has been written on the slate of eternity
When the enormous mountains of tyranny
blow away like cotton.
Under our feet- the feet of the oppressed-
when the earth will pulsate deafeningly
and on the heads of our rulers
when lightning will strike.
From the abode of God
When icons of falsehood will be taken out,
When we- the faithful- who have been barred out of sacred places
will be seated on high cushions
When the crowns will be tossed,
When the thrones will be brought down.
Only The name will survive
Who cannot be seen but is also present
Who is the spectacle and the beholder, both
I am the Truth- the cry will rise,
Which is I, as well as you
And then God’s creation will rule
Which is I, as well as you
We shall Witness
It is certain that we too, shall witness
(Translation source: http://ghazala.wordpress.com/2008/01/08/hum-dekhenge/)

Thou Mayest!

"Recall what is arguably the most powerful scene of The Sound of Music."

"After Maria escapes from the von Trapp family and returns to the monastery, unable to deal with her sexual attraction toward Baron von Trapp, she cannot find peace there, since she is still longing for the Baron; in a memorable scene, the Mother Superior summons her and advises her to return to the von Trapp family and try to sort out her relationship with the Baron. She delivers this message in a weird song “Climb every mountain!” whose surprising motif is: “Do it! Take the risk and try everything your heart wants! Do not allow petty considerations to stand in your way!”

"The uncanny power of this scene resides in its unexpected display of the spectacle of desire, which renders the scene literally embarrassing: The very person whom one would expect to preach abstinence and renunciation turns out to be the agent of the fidelity to one’s desire."
Slavoj Zizek