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And by a prudent flight and cunning save A life which valour could not, from the grave. A better buckler I can soon regain, But who can get another life again? Archilochus

Thursday, November 14, 2013

Dance On, My Dear, Dance On!

In Andersen's fairy tale The Red Shoes, an impoverished young woman puts on a pair of magical shoes and almost dies when her feet won't stop dancing. She is only saved when an executioner cuts off her feet with his axe. Her still-shod feet dance on, whereas she is given wooden feet and finds peace in religion. These shoes stand for drive at its purest: an 'undead' partial object that functions as a kind of impersonal willing: 'it wants', it persists in its repetitive movement (of dancing), it follows its path and exacts its satisfaction at any price, irrespective of the subject's well-being. This drive is that which is 'in the subject more than herself': although the subject cannot ever 'subjectivize' it, assume it as 'her own' by way of saying 'It is I who want to do this!' it nonetheless operates in her very kernel. As Fink's book reminds us, Lacan's wager is that it is possible to sublimate this dull satisfaction. This is what, ultimately, art and religion are about. - Zizek, "Love Beyond Law"

3 comments:

Jen said...

I love it. :-)

-FJ the Dangerous and Extreme MAGA Jew said...

Plato, "Laws"

ATHENIAN: Let us assume that there is a motion able to move other things, but not to move itself; that is one kind; and there is another kind which can move itself as well as other things, working in composition and decomposition, by increase and diminution and generation and destruction—that is also one of the many kinds of motion.
CLEINIAS: Granted.
ATHENIAN: And we will assume that which moves other, and is changed by other, to be the ninth, and that which changes itself and others, and is coincident with every action and every passion, and is the true principle of change and motion in all that is—that we shall be inclined to call the tenth.
CLEINIAS: Certainly.
ATHENIAN: And which of these ten motions ought we to prefer as being the mightiest and most efficient?
CLEINIAS: I must say that the motion which is able to move itself is ten thousand times superior to all the others.
ATHENIAN: Very good; but may I make one or two corrections in what I have been saying?
CLEINIAS: What are they?
ATHENIAN: When I spoke of the tenth sort of motion, that was not quite correct.
CLEINIAS: What was the error?
ATHENIAN: According to the true order, the tenth was really the first in generation and power; then follows the second, which was strangely enough termed the ninth by us.
CLEINIAS: What do you mean?
ATHENIAN: I mean this: when one thing changes another, and that another, of such will there be any primary changing element? How can a thing which is moved by another ever be the beginning of change? Impossible. But when the self-moved changes other, and that again other, and thus thousands upon tens of thousands of bodies are set in motion, must not the beginning of all this motion be the change of the self-moving principle?
CLEINIAS: Very true, and I quite agree.
ATHENIAN: Or, to put the question in another way, making answer to ourselves: If, as most of these philosophers have the audacity to affirm, all things were at rest in one mass, which of the above-mentioned principles of motion would first spring up among them?
CLEINIAS: Clearly the self-moving; for there could be no change in them arising out of any external cause; the change must first take place in themselves.
ATHENIAN: Then we must say that self-motion being the origin of all motions, and the first which arises among things at rest as well as among things in motion, is the eldest and mightiest principle of change, and that which is changed by another and yet moves other is second.

Jen said...

:-D